Henry Moss, AIA, LEED AP, a 35-year Principal at Bruner/Cott Architects after 16 years of practice in London, specializes in the technical and building history aspects of architecture that inform both large-scale adaptive reuse projects and delicate restoration. His work includes the Massachusetts Museum of Contemporary Art (MASS MoCA), which received the AIA National Honor Award for Design; The Watertown Arsenal that received the AIA New England award; the Boston University School of Law, which received a Docomomo US Modernism in America Award, and Harvard University’s Smith Campus Center that received the Harleston Parker Award. The Boston University and Harvard projects were deep retrofits of occupied 1960s Brutalist towers. Henry writes about the theory and practice of architecture as it relates to historic properties and cities today and is a frequent speaker at national and regional conferences. He is a founder of Docomomo US/New England; 25-year chair of the Boston Society of Architects Historic Resources Committee; board member of Historic Boston Incorporated; and serves on the Preservation Committee of Historic New England.

Angel Ayón is the Principal of AYON Studio Architecture • Preservation, P.C. (AYON Studio) in New York City, which provides integrated professional services in the fields of Architecture and Historic Preservation. He has more than twenty five years of experience working with historic buildings. Trained in his native Havana, Cuba, Washington, D.C., and New York City, his expertise ranges from building-envelope evaluation and repair to full-scale rehabilitation and adaptive reuse of historic properties. His experience with Modern architecture includes the rehabilitation and exterior enhancement of Frank Lloyd Wright’s Solomon R. Guggenheim Museum, for which he was the project architect between 2004 and 2008 (prior to founding AYON Studio). In 2015, he was awarded the James Marston Fitch Mid-Career Fellowship to undertake research on interventions on Modern glazed enclosures. This research led to the publication of Reglazing Modernism - Intervention Strategies for 20th-Century Icons, published by Birkhäuser in 2019. The book was the recipient of the 2021 Lee Nelson Book Award bestowed by the Association for Preservation Technology International (APT) to "the most outstanding and influential book-length work on preservation technology." Mr. Ayón currently serves as Vice-President of Save Harlem Now! in NYC. He is a member of the Advisory Board of the Historic Districts Council, the Historic Preservation Committee of The Municipal Art Society of New York (MAS), Vice Chair of the Board of Trustees of the Preservation League of the NY State, and member of the Board of Directors of the James Marston Fitch Charitable Foundation. He is also an active member of Columbia University Preservation Alumni, as well as the AIA, NCARB, nycoba/NOMA, USGBC, APTi, APT Northeast, US/ICOMOS, Docomomo US and Docomomo US/New York Tri-State. Mr. Ayón holds a professional degree as an Architect and a M.Sc. in Conservation and Rehabilitation of the Built Heritage from the Higher Polytechnic Institute “José Antonio Echeverría” in his native Havana, Cuba, and a Post-Graduate Certificate in Conservation of Historic Buildings and Archaeological Sites from Columbia University in New York.

Caroline Constant is professor of architecture emerita at the University of Michigan and a Fellow of the American Academy in Rome. Her extensive scholarship has been dominated by a longstanding interest in the interrelationship of architecture and landscape architecture–the result of teenage years spent in a suburban house built during the 1950s on the site of an extensive Japanese garden. She is author of Light and Shadow: The Work of Maryann Thompson Architects (in process, 2022), The Marcel Breuer House, Lincoln (in process, 2022), The Modern Architectural Landscape (2012), Eileen Gray (2000), The Woodland Cemetery: Toward a Spiritual Landscape (1994), and The Palladio Guide (1985), as well as co-editor, with Wilfried Wang, of the exhibition catalogue Eileen Gray: An Architecture for all Senses (1996). Constant’s research on the Woodland Cemetery in Stockholm led to that example being listed as a UNESCO World Heritage Site in 1994, while her contributions to the scholarship on Eileen Gray led to her being named an Honorary Member of the Royal Institute of the Architects of Ireland, an honor bestowed on Gray herself a few years before her death.

Glenn LaRue Smith, FASLA is Co-Founder and Principal of PUSH studio in Washington, DC.   He has built an urbanism-centered career inspired by the intersection of landscape and architecture for forty years.  As managing creative partner at PUSH studio, he leads design efforts based on the philosophy of revealing the intrinsic value of sites, inspiring creative team collaboration, and shaping sculptural landscape environments.  The firm is actively engaged in cultural landscape, urban design, monument / memorial design, and landscape design projects. Smith has served as Chairman of graduate landscape architecture programs at Morgan State University and Florida A&M University (HBCUs) as well as teaching positions at City College of New York, University of Michigan, Columbia University, and Rutgers University.  He is founder and former President of the Black Landscape Architects Network (BlackLAN), a nonprofit organization established to provide support to Black students and professionals.  He is a past recipient of the 2020 ASLA Distinguished Service Award and is the 2022 Distinguished Fellow of Landscape Architecture - Mississippi State University College of Agriculture and Life Sciences. Smith holds an MLA degree from The University of Michigan and a BLA degree from Mississippi State University. He is also a Loeb Fellow, ’97 - Harvard Graduate School of Design (GSD).  Currently Smith is a spring 2022 Mellon Fellow in Urban Landscape Studies at Dumbarton Oaks.

Susan Macdonald, ICCROM, RIBA, PIA, is Head of the Buildings and Sites Department at them Getty Conservation Institute (GCI) where she oversees over 20 international projects that aim to advance conservation practice across a variety of challenges. Susan has worked as a conservation architect in private practice and in the government sector in Australia and in the UK. In her present and former role as Director of the NSW Heritage Office she was involved in a wide range of conservation issues from urban planning, development, economics, policy and technical matters. Susan has as a particular interest in 20th century heritage conservation, oversees the GCI’s Conserving Modern Architecture Initiative, has been involved in a number of world heritage nominations, and has published widely on this topic. She is a member of Docomomo US, and APTi’s specialist technical committees on modern heritage and is a Vice President of ICOMOS ISC 20.