Daniel Jonas-Roche (b.1993) is an architecture professor, curator, and writer in New York City. His research focuses include socialist art and architecture, and labor history. In 2022, he co-organized a symposium with the L’viv Center for Urban History, Yale University, and University College of London about reconstruction in Ukraine. The three-day symposium gathered over eighty Ukrainian and international architects, economists, psychologists, historians and journalists to discuss reconstruction practices after war. 

Lucy M. Maulsby is an Associate Professor of architectural history at Northeastern University in Boston. Her work considers the relationship between politics and the built environment in the modern period. She is currently completing a book on late fascist era architecture and its legacy in post-war Italy, especially the intersections between fascism, imperialism, and racism. This project builds on her first book, Fascism, Architecture, and the Claiming of Modern Milan, 1922–43 (University of Toronto Press, 2014). She has published widely in journals such as the Journal of the Society of Architectural Historians, Urban History, and Future/Anterior. Maulsby’s interest in urban infrastructure and Stull and Lee’s Southwest Corridor Project has resulted in two conference papers (2013, 2022).  She is currently drafting a paper based on this work for publication and is co-curating an exhibition on the Southwest Corridor at Northeastern University.

Sara Jensen Carr is an assistant professor of architecture, urbanism, and landscape and the program director for the Master of Design in Sustainable Urban Environments program at Northeastern University. Her work and research on the connections between urban landscape, human health, and social equity has been funded by the Mellon Foundation, San Francisco Planning and Urban Research, and the National Science Foundation. She has been published in varied outlets including Preventive Medicine, LA+ Journal, Places Journal, and The Journal of Architectural Education as well as interviewed by The New York Times, CNN, and Foreign Policy, among others, for her expertise on epidemics and urban design. Her book, The Topography of Wellness: How Health and Disease Shaped the American Urban Landscape, was published by the University of Virginia Press in 2021 and a recipient of the John Brinckerhoff Jackson Book Prize as well as awards from the Boston Society of Landscape Architects and the Environmental Design Research Association. She is a licensed architect and holds an MArch from Tulane University, and an MLA and PhD in Environmental Planning from University of California, Berkeley.

Mary Hale is an Associate Teaching Professor in the School of Architecture at Northeastern University where she teaches design at all levels, from introductory architecture studios to advanced studios and workshops, emanating from her design research and creative practice. Her studios have been published through the RAIC CCUSA Academic Summit on Architecture, the ACSA Teachers Conference, the ACSA Annual Meeting and the Trienal de Arquitectura de Lisboa.

Amanda Reeser Lawrence is a tenured associate professor in the School of Architecture at Northeastern University. She received her PhD in architectural history and theory from Harvard University, her Master of Architecture from Columbia University and her BA (summa cum laude) from Princeton University. Lawrence is founding coeditor of the architectural journal Praxis: A Journal of Writing + Building, an award-winning journal of contemporary architecture of the Americas. Her published books include The Architecture of Influence: The Myth of Originality in the Twentieth Century (UVA Press, 2023), James Stirling: Revisionary Modernist (Yale University Press, 2013), and Terms of Appropriation: Modern Architecture and Global Exchange (Routledge 2017), co-edited with Ana Miljacki. Her work has been supported by the National Endowment for the Arts, the National Endowment for the Humanities, the Graham Foundation for Advanced Studies in the Fine Arts, the Paul Mellon Centre for Studies in British Art, and the New York State Council on the Arts.