In 1952, faculty member George Matsumoto began construction of his own house on a steeply sloping tract adjacent to a small stream. Its design shows the same attention to economical, post-and-beam modular construction and careful detailing as is seen in his earlier Richter House design. However, the young Japanese American architect was also strongly influenced by the work of Mies Van der Rohe, and the Matsumoto House demonstrates a Miesian concern with exposed structure and a sense of suspension generated by the use of lightweight wall, floor and ceiling planes to articulate its internal space. The sloping site allowed Matsumoto to put a lower level built of concrete block under the house, a space which contained his studio and which forms a base for the frame box cantilevered above it. The rectangular, flat-roofed mass of the main living areas is reached by a small bridge rising from a Japanese-influenced outdoor court. While the street side of the house presents a mostly-blank facade divided into panels, all of the rooms along the back of the house open with glass doors and windows onto a cantilevered, screened rear porch, extending the living space visually into the wooded hillside beyond. (NPS website)