Location
Cathedral of the Immaculate Conception
20 Pine StreetBurlington, VT, 05401
Country
United States![](http://pipsum.com/150x150.jpg 1w, http://pipsum.com/150x150.jpg 738w)
1974
1977
The original Cathedral of the Immaculate Conception was consecrated in 1867, the work of prominent Brooklyn architect Patrick Keely. However, this soaring Gothic structure was destroyed in an arson attack in 1972, with only the bell of the original Church’s tower being preserved. Instead of relocating to the suburbs, the Diocese maintained its commitment to the downtown Burlington area and worked to enhance the built environment of the city with a bold, new Modernist campus and church building. The building itself is a collaboration between noted postwar architects; Edward Larrabee Barnes and Daniel Urban Kiley, the latter a Vermont resident who lived in Charlotte. The two collaborated closely on the project, something that can be seen more clearly in the interplay between the color and form of the building and the surrounding environment. With the continuation of urban renewal, the neighborhoods that once supported the parish were removed, lowering attendance further. The neighboring Saint Joseph Church was combined with the parish in 2017, though parishioner numbers continued to fall below 100. This continued until the sale of the property was proposed by the Diocese of Burlington in 2018, applying for a demolition permit in 2021.
Immaculate Conception was conceived by successful New York architect Edward Larrabee Barnes, who used the Billings Memorial Library at the University of Vermont as a source of inspiration. The sanctuary is designed in a late modern style, comprised of five low-slung brick walls topped by a high standing seam copper roof. A large cross adorns to the roof of the clerestory. The bell tower on one corner of the site contains the bell from the original 1867 cathedral, situated within a new open free-standing tower structure. The outdoor landscaping was completed by Vermont local and noted landscape architect Daniel Kiley, who had a long history of collaboration with Barnes. The pair interplayed the structure with its landscaped surroundings, using color and form to create a cohesive and peaceful public space that provides refuge from the downtown of Burlington. Kiley’s array of uniformly spaced locust trees is reminiscent of his masterpiece and international Modernist icon, the Miller House and Garden. With the Diocese choosing to demolish the structure in 2021, preservations are looking to readapt this iconic structure to a modern use.