6 Major Mid-Century Modern Losses in New Orleans
In 1955, Progressive Architecture’s second Annual Design Awards recognized more buildings by architects from New Orleans and Louisiana than any other city or state in the nation. That’s right — before New Orleans was “the city that care forgot,” it was one of the most architecturally progressive cities in the nation.
United Nations Headquarters Campus Renovation of Facades
Nestled along the East River in New York City, the United Nations Headquarters has long been admired as the physical embodiment of global diplomacy and collaboration. Born from the ashes of World War II, the United Nations Headquarters was designed in 1947 by a collaborative, international team of esteemed architects including Le Corbusier, Wallace K. Harrison, and Oscar Niemeyer. The campus’ resulting architectural achievements have endured as one of the most widely-recognized examples of 20th century International Style architecture, including the first glass curtain wall skyscraper in the United States.
Intervention Approaches at Frank Lloyd Wright’s Taliesin: A Preservation Case Study
As we approach Wright’s 150th birthday in June, we can note that it has been fifty-eight years since the architect’s death in 1959. 2017 also marks the 26th year of Taliesin’s preservation-focused non-profit, Taliesin Preservation Incorporated (TPI), and discussions surrounding Taliesin’s management and preservation treatment stretch back multiple decades. By looking at ways in which the buildings have been treated through time, it is possible to unpack some of the methods, means, and values inherent in preservation work, especially values specific to Taliesin and Wright’s legacy. The site is a rich example that illustrates many ways in which a place can be preserved. This article will highlight just a few interventions manifest at this complex site.
Bertrand Goldberg: Preserving a Vision of Concrete
Over the course of this past year, my thesis work set out to evaluate the restoration and repair work done to the body of work of one particular architect, Bertrand Goldberg. His structures are dynamic works of engineering, characterized by monumental sculptural concrete forms and often designed with an exposed concrete finish. Recently, two of his buildings have been in the news; Prentice Women’s Hospital lost its preservation battle and was razed in 2015 while Marina City was granted landmark status by the city of Chicago in March 2016.
Do You Know Gemmaux?
In 1953, the Chor-Bishop Mansour of a Brooklyn Heights church had heard whispers of a new French stained glass called gemmaux. Excited by the prospect of presiding over the first church to have all of its windows done in this style, Chor-Bishop Mansour Stephens of Our Lady of Lebanon promptly commissioned 10 windows from the artist that developed the technique, Jean Crotti.
Philip Johnson's Booth House Threatened and Seeks New Custodians
Philip Johnson’s 1946 Booth House, in Bedford, New York is threatened and in urgent need of new custodians. Award winning architect and pioneering architectural photographer Robert Damora (1912 -2009) and his wife, architect Sirkka Damora, moved into Philip Johnson’s Booth House in 1955 thinking of it as temporary housing until they could build a home of their own design. The spare elegance of the Booth House evoked a simple, informal, unencumbered life style that suited them: they never left. When you find environment that soothes your soul there is little motivation to move on. Now 62 years after arriving at the house, at age 93 Sirkka finds the rural life there difficult to manage physically, and she is financially unable to continue in the house. The house must be sold.
In the media
Advocacy Alert: Demolition Permit Filed for Providence Heights
The City of Issaquah has determined that demolition of the campus has no significant adverse effect—the Washington Trust strongly disagrees with this finding. We will be commenting on these documents and encourage anyone who values Providence Heights to also comment. Specifically, due to the size and significance of the property we encourage you to request that the City require an Environmental Impact Statement (EIS) be completed. An EIS is necessary to appropriately investigate the full impact of demolition.
Docomomo US Study Grants
Docomomo US is pleased to announce the development of a Study Grant program to provide financial support for qualified individuals whose work or educational focus demonstrates a continued interest and commitment in the area or subject of exploration for which the particular study grants are being offered. The Study Grant program has been made possible with the generous support of an anonymous Docomomo US supporter for the Modern Mexico City travel tour taking place in October 2017.
Oregon Chapter tackles advocacy in the Pacific Northwest
Docomomo US/Oregon is currently keeping an eye on and advocating for a number of modernist buildings in the Portland and Salem area under threat. Read more about each one below and find out how you can participate in the chapter's efforts to save these modernist sites.
Preserving Isami Enomoto's Labor Murals
On Oct. 31, 2015, the Bank of Hawaii closed its Kapahulu branch and sold the building, which was home to a set of five 1961 murals by acclaimed Hawai‘i artist Isami Enomoto depicting labor in the islands. The bank did not want to keep the murals, and when none of the state’s established art institutions were able to accept them, the Docomomo US/Hawaii Chapter assumed responsibility for the preservation of these artistically and historically important murals.
Dalle de verre at Fish Church
Wallace Harrison came to be regarded as an architect who connected the world of high art with that of a new form of monumental architecture. At the First Presbyterian Church in Stamford, CT, he began with a curiosity about Gothic space as a prototype for the integration of the arts, with the intention of designing a “place of worship with some of the splendor of colored light found in the great Gothic cathedrals.”
Reflections on the Breuer-Nivola Nexus
From the mid-1930’s through the 1980’s, New York City and its immediate surroundings were a nexus for the Modern art and architecture movement that had relocated from Europe to escape the rise of fascism and the destruction of the Second World War. The community included immigrants who had been active in the formative years in Europe and native-born Americans, generally a half-generation younger than their colleagues. Key among the transplanted Europeans were Marcel Breuer and Costantino (Tino) Nivola. I have good fortune to have known both men from my early childhood onward and, on entering the world of architecture, to have worked for and with each of them..