Baltimore’s public schools are home to over 120 public art commissions—most of these works tied to a local boom in school building construction during the 1960s and 1970s. While some are the work of nationally known modern artists and designers, like Michio Ihara, Gyorgy Kepes, and Harry Bertoia, others are the work of artists, architects and designers with a regional practice or local following; some of whom had few commissions outside of Baltimore, or no public work outside of these midcentury school buildings.
Docomomo US and Docomomo US/Michigan will launch the 2016 National Symposium Beyond Modernism? Moving the Recent Past Forward. The two-day symposium will look at the diverging design and theory of the late 1970 and early 1980s through examining its leading architects and designers and their iconic architectural contributions. Beyond Modernism seeks to broaden the discussion and expand our understanding of how those examples fit into the discourse of modernism.Image courtesy of: General Motors, LLC Media Archives
Thursday, June 9, 2016 3:30PM
By Jenny Dixon, Director
The Noguchi Museum
Detroit’s first ideas for a vast urban plaza at the terminus of Woodward Avenue and fronting on the Detroit River were laid in 1924, when the Detroit branch of the American Institute of Architects commissioned Eliel Saarinen to design it. The project was never fully realized. Perhaps Isamu Noguchi knew of this history when he responded to the invitation by the City of Detroit to submit plans for the Horace E. Dodge & Son Fountain at that same location just shy of fifty years later.