For the third installment of our Flashback series we are highlighting an article on preserving modern corporate interiors written by Docomomo US president, Theodore Prudon titled "Preserving MoMo-interiors in the USA" first published in the Docomomo Journal No. 22 - May 2000: Modern Houses.
The Docomomo Journal is published twice a year and is a benefit to Docomomo US International members. To renew or join as an International member, click JOIN.
The complete line-up is in! Follow the link to see the tours and events taking place for Tour Day 2015.
Tour Day is Docomomo US’ annual national event that works to raise the awareness of and appreciation for buildings, interiors and landscapes designed in the United States during the mid-20th century. Now in its eighth year, Tour Day invites organizations and people across the country to take stock of significant 20th century built design in their state, city, region or neighborhood and celebrate that work with a tour.
If you have an idea for a tour that celebrates modernism in your area, click here. To register your event for Tour Day, please complete the following form with the details of your event. For more information or email us at info(AT)docomomo-us(DOT)org.
Saturday, October 10, 2015 5:00PM
By Timothy Rohan
All Images: Michael Graves (American, 1934-2015). Library and Child's Bedroom from the Reinhold Apartment at 101 Central Park West, New York, New York, 1979-1981. Brooklyn Museum, Gift of John, Susan, and Berkeley A. Reinhold, 86.179. Creative Commons-BY. Credit: © Peter Aaron/Esto
Inside a Brooklyn Museum warehouse is a remarkable relic of postmodernism: a suite of rooms designed and built between 1979 and 1981 by Michael Graves for Susan and John Reinhold’s apartment at 101 Central Park West, New York. This little known artifact has never been publicly displayed since being dismantled and donated to the museum in 1986. Part of a larger duplex, the suite consists of a library and child’s bedroom. Built-in bookshelves, wall paneling, and multi-tiered ceilings define the rooms, forming a completely designed, cohesive interior recalling French boiserie in concept. The suite exemplifies Graves’ signature style of muted colors and abstracted classicism, best known from his landmark Portland Building of 1982.1