Images and Text by Inge S. Horton
While enjoying lavishly illustrated books on Modern architectural history, I am troubled by the frequent omission of women architects. With one or two exceptions, women’s contributions to the modern movement in Northern California are ignored; however, I know from my research that there were indeed female practitioners of Modernism deserving recognition. I would like to draw attention to a few examples of the challenging careers and work of Northern California women architects in Modernism to illustrate that in spite of the press neglecting them during their lifetime as their rare mention in current publications, they existed and are a meaningful part of our history.
Save the date! Docomomo US Tour Day is set for Saturday, October 11, 2014
Saturday, October 11, 2014 5:00AM
By Jane King Hession
Long before she became an architect, a Fellow in the American Institute of Architects (AIA), and the first (and only) woman to receive AIA Minnesota’s Gold Medal, Elizabeth “Lisl” Scheu Close was deeply immersed in architecture. In 1912, the year of her birth, her parents commissioned architect Adolf Loos to design a residence in Vienna, Austria. Not only is the radically modern Scheu House significant in the annals of architectural history, it played a major role in determining Lisl’s future profession and shaping her architectural aesthetic.
Photo (left): The Hendrik and Marri Oskam House, 1963, Edina, Minnesota. Photo credit:© William B. Olexy, Modern House Productions